That one cannot know everything, he argues, does not mean that one knows nothing; if one cannot say everything, neither is one permitted to say just anything.
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His is a plea for sanity in an age given to ruinous extremes. Adapted from: Rubino, Carl A. Eco,, Umberto, and Eco Umberto. Eco,, Umberto. Eliot was almost as renowned a literary critic as he was a poet. From through he contributed approximately one hundred reviews and articles to various periodicals. This early criticism was produced at night under the pressure of supplementing his meager salary--first as a teacher, then as a bank clerk--and not, as is sometimes suggested, under the compulsion to rewrite literary history.
A product of his critical intelligence and superb training in philosophy and literature, his essays, however hastily written and for whatever motive, had an immediate impact. Eliot is also an important figure in 20th century drama.
Elena Coda // Purdue College of Liberal Arts
He was inclined from the first toward the theater--his early poems are essentially dramatic, and many of his early essays and reviews are on drama or dramatists. Adapted from: Brooker, Jewel Spears.
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Eliot,, T. Seamus Heaney was an Irish poet known for his regional themes and sensibilities. Much of his work reflects his upbringing in an atmosphere of deeply divided political and religious beliefs. Heaney has been lauded for his use of the natural places of his youth to address the strife between Catholics and Protestants in Northern Ireland.
He gained widespread attention after his third and fourth books, and became a notable influence on other poets. Hunter, vol.
Heaney,, Seamus Justin. Heaney,, Seamus. Philip Larkin managed to capture a loyal, wide, and growing audience of readers.
He emerged as the center, if not the starting point, of most critical debate over postwar British verse. He is the best known and most acclaimed—critically and popularly—of the figures who made up the so-called Movement in the early s and as an avowed enemy of the literary modernism scorned by The Movement. His scant four collections of poems, written over thirty years, as well as the two novels he brought out shortly after the war, continue to go into new printings, hardcover and paperback, on both sides of the Atlantic.
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With his well-known reluctance to grant interviews, he insisted that, rather than meet his interviewers face-to-face, he be sent a series of questions, the first set of which he took five months in answering. The paradox of his consenting to the interview but on such a condition—his sense of a place on the literary map yet his refusal to be a public figure—accords with the combination of wariness and fascination toward all relationships, even the most private, seen throughout his poetry.
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Jason notes that this short piece served as the preface and title of the first edition of Vittorini's ''Conversation in Sicily,'' which was written under the constraints of Fascist censorship in This background is necessary to understand the story's somewhat vague quality. It would be wiser for the reader to turn to ''Conversation in Sicily'' itself published in ''A Vittorini Omnibus'' by New Directions , a major Italian novel about a grown man's return to his roots and the surprising discovery he makes about his parents. Apart from Umberto Eco, this collection indicates that modern Italian fiction is living on its laurels.
It has suffered terrible losses in the last few years with the deaths of Primo Levi, Italo Calvino and Leonardo Sciascia.
THE 331x - Theatre History & Dramatic Literature I, II, & III
And some of its major writers, like Alberto Moravia, Giorgio Bassani and Natalia Ginzburg, don't seem to be producing important new work. It's time for another Italian renaissance. View on timesmachine. TimesMachine is an exclusive benefit for home delivery and digital subscribers. To preserve these articles as they originally appeared, The Times does not alter, edit or update them. Occasionally the digitization process introduces transcription errors or other problems.